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    ΠžΠΏΠ΅Ρ€Π°Ρ†ΠΈΠΈ Π½Π° прСнос Π½Π° маса-ΠΏΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌ

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    Овој ΠΏΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌ Π΅ помошСн ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π», односно Π΄ΠΎΠ΄Π°Ρ‚ΠΎΠΊ Π½Π° скриптата Π·Π° студСнтитС ΠΊΠΎΠΈ Π³ΠΎ ΡΠ»ΡƒΡˆΠ°Π°Ρ‚ ΠΏΡ€Π΅Π΄ΠΌΠ΅Ρ‚ΠΎΡ‚ ΠžΠΏΠ΅Ρ€Π°Ρ†ΠΈΠΈ Π½Π° прСнос Π½Π° маса ΠΊΠ°ΠΊΠΎ посСбСн ΠΏΡ€Π΅Π΄ΠΌΠ΅Ρ‚, ΠΊΠ°ΠΊΠΎ ΠΈ Π·Π° Π΄Π΅Π» ΠΎΠ΄ ΠΏΡ€Π΅Π΄ΠΌΠ΅Ρ‚ΠΈΡ‚Π΅ ΠšΠΈΠ½Π΅Ρ‚ΠΈΠΊΠ° ΠΈ Ρ„Π΅Π½ΠΎΠΌΠ΅Π½ΠΈ Π½Π° прСнос ΠΈ Π’Π΅Ρ…Π½ΠΎΠ»ΠΎΡˆΠΊΠΈ ΠΎΠΏΠ΅Ρ€Π°Ρ†ΠΈΠΈ Π²ΠΎ ΠΏΡ€Π΅Ρ…Ρ€Π°Π½Π±Π΅Π½Π°Ρ‚Π° ΠΈΠ½Π΄ΡƒΡΡ‚Ρ€ΠΈΡ˜Π° Π²ΠΎ Π²Ρ‚ΠΎΡ€Π° Π³ΠΎΠ΄ΠΈΠ½Π° Π½Π° Π’Π΅Ρ…Π½ΠΎΠ»ΠΎΡˆΠΊΠΎ-Ρ‚Π΅Ρ…Π½ΠΈΡ‡ΠΊΠΈΠΎΡ‚ Ρ„Π°ΠΊΡƒΠ»Ρ‚Π΅Ρ‚ ΠΏΡ€ΠΈ Π£Π½ΠΈΠ²Π΅Ρ€Π·ΠΈΡ‚Π΅Ρ‚ΠΎΡ‚ β€žΠ“ΠΎΡ†Π΅ Π”Π΅Π»Ρ‡Π΅Π²β€œ Π²ΠΎ Π¨Ρ‚ΠΈΠΏ ΠΈ со самото Ρ‚ΠΎΠ° првСнствСно Π΅ Π½Π°ΠΌΠ΅Π½Π΅Ρ‚ Π·Π° студСнтитС Π½Π° овој Ρ„Π°ΠΊΡƒΠ»Ρ‚Π΅Ρ‚. ΠŸΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌΠΎΡ‚ ΠΌΠΎΠΆΠ°Ρ‚ Π΄Π° Π³ΠΎ користат ΠΈ студСнти ΠΊΠΎΠΈ ΠΈΠ·ΡƒΡ‡ΡƒΠ²Π°Π°Ρ‚ Ρ‚Π΅Ρ…Π½ΠΎΠ»ΠΎΡˆΠΊΠΈ ΠΎΠΏΠ΅Ρ€Π°Ρ†ΠΈΠΈ Π²ΠΎ тСкстилната ΠΈΠ»ΠΈ Π΄Ρ€ΡƒΠ³ΠΈ Π³Ρ€Π°Π½ΠΊΠΈ Π½Π° ΠΈΠ½Π΄ΡƒΡΡ‚Ρ€ΠΈΡ˜Π°Ρ‚Π°. ΠŸΠΎΡ‚Ρ€Π΅Π±Π°Ρ‚Π° ΠΎΠ΄ овој ΠΏΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌ ΠΏΡ€ΠΎΠΈΠ·Π»Π΅Π·Π΅ ΠΎΠ΄ нСдостатокот Π½Π° Π»ΠΈΡ‚Π΅Ρ€Π°Ρ‚ΡƒΡ€Π° ΠΎΠ΄ ΠΎΠ²Π°Π° област. ΠŸΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌΠΎΡ‚ содрТи: ΠΊΡ€Π°Ρ‚ΠΊΠΈ ΠΈΠ·Π²ΠΎΠ΄ΠΈ ΠΎΠ΄ Ρ‚Π΅ΠΎΡ€ΠΈΡ˜Π°Ρ‚Π° Π½Π΅ΠΎΠΏΡ…ΠΎΠ΄Π½ΠΈ Π·Π° ΠΎΠ±Ρ˜Π°ΡΠ½ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΌΠ΅Ρ‚ΠΎΠ΄ΠΈΡ‚Π΅ Π·Π° прСсмСтка Π½Π° ΠΊΠΎΠ½ΠΊΡ€Π΅Ρ‚Π½ΠΈ ΠΏΡ€ΠΎΠ±Π»Π΅ΠΌΠΈ, прСсмСтковни Π·Π°Π΄Π°Ρ‡ΠΈ ΠΈ упатства Π·Π° лабораториски Π²Π΅ΠΆΠ±ΠΈ. ΠŸΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌΠΎΡ‚ Π΅ ΠΊΠΎΠ½Ρ†ΠΈΠΏΠΈΡ€Π°Π½ спорСд ΠΏΡ€Π΅Π΄ΠΌΠ΅Ρ‚Π½Π°Ρ‚Π° наставна ΠΏΡ€ΠΎΠ³Ρ€Π°ΠΌΠ° ΠΈ Π΅ усогласСн со содрТинитС ΠΎΠ΄ скриптата ΠΏΠΎ истиот ΠΏΡ€Π΅Π΄ΠΌΠ΅Ρ‚. ΠœΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΎΡ‚ Π΅ структуриран Π²ΠΎ 11 поглавја β€’ Π΅Π΄Π½ΠΎ Π²ΠΎΠ²Π΅Π΄Π½ΠΎ ΠΈ ΠΏΠΎΠ³Π»Π°Π²Ρ˜Π°Ρ‚Π°: ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»Π½ΠΈ биланси, Π΄ΠΈΡ„ΡƒΠ·ΠΈΡ˜Π°, ΠΊΠΎΠ½Π²Π΅ΠΊΡ‚ΠΈΠ²Π΅Π½ прСнос Π½Π° маса, ΠΌΠ΅Ρ“ΡƒΡ„Π°Π·Π΅Π½ прСнос Π½Π° маса, Π°Π΄ΡΠΎΡ€ΠΏΡ†ΠΈΡ˜Π°, Ρ€Π°ΠΌΠ½ΠΎΡ‚Π΅ΠΆΠ° Π½Π° Ρ„Π°Π·ΠΈ, Π΄Π΅ΡΡ‚ΠΈΠ»Π°Ρ†ΠΈΡ˜Π°, Π΅ΠΊΡΡ‚Ρ€Π°ΠΊΡ†ΠΈΡ˜Π°, ΠΊΡ€ΠΈΡΡ‚Π°Π»ΠΈΠ·Π°Ρ†ΠΈΡ˜Π° ΠΈ ΡΡƒΡˆΠ΅ΡšΠ΅. ΠŸΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌΠΎΡ‚ ΠΌΡƒ ΠΎΠ²ΠΎΠ·ΠΌΠΎΠΆΡƒΠ²Π° Π½Π° студСнтот ΡΡ‚Π΅ΠΊΠ½ΡƒΠ²Π°ΡšΠ΅ Π½Π° знаСња ΠΈ Π²Π΅ΡˆΡ‚ΠΈΠ½ΠΈ Π·Π° ΡΠΎΡΡ‚Π°Π²ΡƒΠ²Π°ΡšΠ΅ ΠΈ прСсмСтка Π½Π° Ρ‚ΠΎΡ‚Π°Π»Π΅Π½, Π΄Π΅Π»ΡƒΠΌΠ΅Π½ ΠΈΠ»ΠΈ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½Ρ‚Π΅Π½ биланс Π²ΠΎ нСкој хСмиски процСс ΠΈ Ρ€Π΅ΡˆΠ°Π²Π°ΡšΠ΅ Π½Π° проблСмски Π·Π°Π΄Π°Ρ‡ΠΈ ΠΎΠ΄ областа Π½Π° Π΄ΠΈΡ„ΡƒΠ·ΠΈΡ˜Π°, ΠΊΠΎΠ½Π²Π΅ΠΊΡ‚ΠΈΠ²Π΅Π½ ΠΈ ΠΌΠ΅Ρ“ΡƒΡ„Π°Π·Π΅Π½ прСнос Π½Π° маса, Ρ„Π°Π·Π½Π° Ρ€Π°ΠΌΠ½ΠΎΡ‚Π΅ΠΆΠ° ΠΈ ΡΡƒΡˆΠ΅ΡšΠ΅. Π˜ΡΡ‚ΠΎ Ρ‚Π°ΠΊΠ°, студСнтот ќС сС Π·Π°ΠΏΠΎΠ·Π½Π°Π΅ со основнитС лабораториски Π°ΠΏΠ°Ρ€Π°Ρ‚ΡƒΡ€ΠΈ ΠΈ Π½Π°Ρ‡ΠΈΠ½ΠΈ Π·Π° ΠΈΠ·Π²Π΅Π΄ΡƒΠ²Π°ΡšΠ΅ Π½Π° процСситС Π΄Π΅ΡΡ‚ΠΈΠ»Π°Ρ†ΠΈΡ˜Π°, Π΅ΠΊΡΡ‚Ρ€Π°ΠΊΡ†ΠΈΡ˜Π° ΠΈ ΠΊΡ€ΠΈΡΡ‚Π°Π»ΠΈΠ·Π°Ρ†ΠΈΡ˜Π°. Како Π°Π²Ρ‚ΠΎΡ€ΠΈ Π½Π° овој ΠΏΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒΠΌ ќС Π±ΠΈΠ΄Π΅ΠΌΠ΅ Π±Π΅ΡΠΊΡ€Π°Ρ˜Π½ΠΎ Π±Π»Π°Π³ΠΎΠ΄Π°Ρ€Π½ΠΈ Π·Π° ситС забСлСшки ΠΈ сугСстии Π²ΠΎ однос Π½Π° овој ракопис Π²ΠΎ насока Π½Π° Π½Π΅Π³ΠΎΠ²ΠΎ ΠΏΠΎΠ΄ΠΎΠ±Ρ€ΡƒΠ²Π°ΡšΠ΅

    ВСкстилно-коТарски ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ

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    ВСкстилнитС ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ ΠΎΠ΄ тСкстилни Π²Π»Π°ΠΊΠ½Π° ΠΈ нишки, Π° коТарскитС ΠΎΠ΄ сурова ΠΊΠΎΠΆΠ° со Ρ€Π°Π·Π»ΠΈΡ‡Π½ΠΈ Ρ‚Π΅Ρ…Π½ΠΈΠΊΠΈ Π·Π° Π½ΠΈΠ²Π½Π° ΠΏΡ€Π΅Ρ€Π°Π±ΠΎΡ‚ΠΊΠ°. ВСкстилно-коТарскитС ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ ΠΏΠΎ ΡΠ²ΠΎΡ˜Π°Ρ‚Π° хСмиска структура спаѓаат Π²ΠΎ најслоТСни, Π° ΠΏΠΎ карактСристикитС Π²ΠΎ Π½Π°Ρ˜Ρ€Π°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΈ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ. ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡ‚Π²ΠΎΡ‚ΠΎ ΠΈ ΠΏΡ€Π΅Ρ€Π°Π±ΠΎΡ‚ΠΊΠ°Ρ‚Π° Π½Π° тСкстилнитС Π²Π»Π°ΠΊΠ½Π° ΠΈ ΠΊΠΎΠΆΠ°Ρ‚Π° ΠΈΠΌΠ° ΡΡƒΡˆΡ‚ΠΈΠ½ΡΠΊΠ° ΡƒΠ»ΠΎΠ³Π° Π²ΠΎ Π·Π°Π΄ΠΎΠ²ΠΎΠ»ΡƒΠ²Π°ΡšΠ΅Ρ‚ΠΎ Π½Π° Π΅Π΄Π½Π° ΠΎΠ΄ Ρ„ΡƒΠ½Π΄Π°ΠΌΠ΅Π½Ρ‚Π°Π»Π½ΠΈΡ‚Π΅ Ρ‡ΠΎΠ²Π΅ΠΊΠΎΠ²ΠΈ ΠΏΠΎΡ‚Ρ€Π΅Π±ΠΈ - ΠΎΠ±Π»Π΅ΠΊΡƒΠ²Π°ΡšΠ΅Ρ‚ΠΎ. Π’Π»Π°ΠΊΠ½Π°Ρ‚Π° сС Π΄Π΅Ρ„ΠΈΠ½ΠΈΡ€Π°Π°Ρ‚ ΠΊΠ°ΠΊΠΎ Ρ‚Π΅Π»Π° со ΠΈΠ·Π΄ΠΎΠ»ΠΆΠ΅Π½Π° Ρ„ΠΎΡ€ΠΌΠ° ΡˆΡ‚ΠΎ сС ΠΊΠ°Ρ€Π°ΠΊΡ‚Π΅Ρ€ΠΈΠ·ΠΈΡ€Π° со Π³ΠΎΠ»Π΅ΠΌ однос ΠΌΠ΅Ρ“Ρƒ Π½Π°Π΄ΠΎΠ»ΠΆΠ½ΠΈΡ‚Π΅ ΠΈ Π½Π°ΠΏΡ€Π΅Ρ‡Π½ΠΈΡ‚Π΅ Π΄ΠΈΠΌΠ΅Π½Π·ΠΈΠΈ. Π‘ΠΎ Ρ€Π΅Π»Π°Ρ†ΠΈΡ˜Π°Ρ‚Π° Π²Π»Π°ΠΊΠ½ΠΎ – ΠΏΡ€Π΅Π΄ΠΈΠ²ΠΎ – тСкстилСн ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π», ΠΌΠΎΠΆΠ΅ Π½Π° Π½Π°Ρ˜Π΅Π΄Π½ΠΎΡΡ‚Π°Π²Π΅Π½ Π½Π°Ρ‡ΠΈΠ½ Π΄Π° сС прСтстави процСсот ΠΏΡ€Π΅ΠΊΡƒ кој сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ тСкстилни ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ со комплСксна структура ΠΈ карактСристики ΠΏΠΎΠ³ΠΎΠ΄Π½ΠΈ Π·Π° Π½Π°Ρ˜Ρ€Π°Π·Π»ΠΈΡ‡Π½ΠΈ Ρ†Π΅Π»ΠΈ ΠΊΠ°ΠΊΠΎ ΠΎΠ±Π»Π΅ΠΊΠ°, Ρ‚Π΅Ρ…Π½ΠΈΡ‡ΠΊΠ° ΠΏΡ€ΠΈΠΌΠ΅Π½Π°, ΡΠΏΠ΅Ρ†ΠΈΡ˜Π°Π»Π½Π° ΠΏΡ€ΠΈΠΌΠ΅Π½Π° (Π²ΠΎ ΠΌΠ΅Π΄ΠΈΡ†ΠΈΠ½Π°Ρ‚Π°, Π±ΠΈΠΎΠ»ΠΎΠ³ΠΈΡ˜Π°Ρ‚Π°, Π΅Π»Π΅ΠΊΡ‚Ρ€ΠΎΠ½ΠΈΠΊΠ°Ρ‚Π° ΠΈ слично). По гСомСтриската Ρ„ΠΎΡ€ΠΌΠ° тСкстилнитС ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ сС Π΄Π΅Π»Π°Ρ‚ Π½Π° Π»ΠΈΠ½Π΅Π°Ρ€Π½ΠΈ (ΠΏΡ€Π΅Π΄ΠΈΠ²ΠΎ) ΠΈ ΠΏΠΎΠ²Ρ€ΡˆΠΈΠ½ΡΠΊΠΈ ΠΈΠ»ΠΈ Π΄Π²ΠΎΠ΄ΠΈΠΌΠ΅Π½Π·ΠΈΠΎΠ½Π°Π»Π½ΠΈ (Ρ‚ΠΊΠ°Π΅Π½ΠΈΠ½Π°, ΠΏΠ»Π΅Ρ‚Π΅Π½ΠΈΠ½Π°, Π½Π΅Ρ‚ΠΊΠ°Π΅Π½ тСкстил, Ρ‡ΠΈΠΏΠΊΠΈ, ΠΌΡ€Π΅ΠΆΠΈ). ΠŸΡ€Π΅Π΄ΠΈΠ²Π°Ρ‚Π° ΠΌΠΎΠΆΠ°Ρ‚ Π΄Π° послуТат Π·Π° ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° слоТСни тСкстилни структури, ΠΊΠ°ΠΊΠΎ ΡˆΡ‚ΠΎ сС Ρ‚ΠΊΠ°Π΅Π½ΠΈΠ½ΠΈΡ‚Π΅ ΠΈ ΠΏΠ»Π΅Ρ‚Π΅Π½ΠΈΠ½ΠΈΡ‚Π΅. Π’ΠΊΠ°Π΅Π½ΠΈΡ‚Π΅ тСкстилни ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈ (Ρ‚ΠΊΠ°Π΅Π½ΠΈΠ½ΠΈ) сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ ΠΏΠΎ ΠΏΠ°Ρ‚ Π½Π° ΠΏΡ€Π΅Π΄Π΅ΡšΠ΅, Ρ‚ΠΊΠ°Π΅ΡšΠ΅ ΠΈ Π΄ΠΎΡ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° Ρ‚ΠΊΠ°Π΅Π½ΠΈΠ½Π°Ρ‚Π°. ΠŸΠ»Π΅Ρ‚Π΅Π½ΠΈΡ‚Π΅ тСкстилни ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈ (ΠΏΠ»Π΅Ρ‚Π΅Π½ΠΈΠ½ΠΈ) сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ ΠΏΠΎ ΠΏΠ°Ρ‚ Π½Π° ΠΏΡ€Π΅Π΄Π΅ΡšΠ΅, ΠΏΠ»Π΅Ρ‚Π΅ΡšΠ΅ ΠΈ Π΄ΠΎΡ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° ΠΏΠ»Π΅Ρ‚Π΅Π½ΠΈΠΎΡ‚ ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄. НСткаСнитС тСкстилни ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈ (Π½Π΅Ρ‚ΠΊΠ°Π΅Π½ тСкстил) сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ ΠΏΠΎ ΠΏΠ°Ρ‚ Π½Π° ΠΏΠΎΠ΄Π³ΠΎΡ‚ΠΎΠ²ΠΊΠ° Π½Π° Π²Π»Π°ΠΊΠ½Π°Ρ‚Π°, Ρ„ΠΎΡ€ΠΌΠΈΡ€Π°ΡšΠ΅ ΠΏΠ΅Π»Ρ† (Ρ€ΡƒΠ½ΠΎ), Π·Π°Ρ†Π²Ρ€ΡΡ‚ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΏΠ΅Π»Ρ†ΠΎΡ‚ ΠΈ Π΄ΠΎΡ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° Π½Π΅Ρ‚ΠΊΠ°Π΅Π½ΠΈΠΎΡ‚ тСкстил. ΠšΠΎΠ½Ρ„Π΅ΠΊΡ†ΠΈΠΎΠ½ΠΈΡ€Π°Π½ΠΈΡ‚Π΅ ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈ сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ со ΠΊΠΎΠ½Ρ„Π΅ΠΊΡ†ΠΈΠΎΠ½ΠΈΡ€Π°ΡšΠ΅ Π½Π° Ρ‚ΠΊΠ°Π΅Π½ΠΈΠ½ΠΈΡ‚Π΅ ΠΈ ΠΏΠ»Π΅Ρ‚Π΅Π½ΠΈΡ‚Π΅ ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈ ΠΏΡ€ΠΈ ΡˆΡ‚ΠΎ сС користат ΠΊΠΎΠ½Ρ†ΠΈ Π·Π° шиСњС. ΠŸΠΎΡΡ‚ΠΎΡ˜Π°Ρ‚ ΠΈ Π΄Ρ€ΡƒΠ³ΠΈ Π²ΠΈΠ΄ΠΎΠ²ΠΈ тСкстилни ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈ Ρ‚Π°ΠΊΠ°Π½Π°Ρ€Π΅Ρ‡Π΅Π½ΠΈ позамСнтСриски (Π²Ρ€Π²Ρ†ΠΈ, Π»Π΅Π½Ρ‚ΠΈ ΠΈ слично). Π’ΠΈΠ΅ сС Π΄ΠΎΠ±ΠΈΠ²Π°Π°Ρ‚ Π½Π°Ρ˜Ρ‡Π΅ΡΡ‚ΠΎ со ΠΏΡ€Π΅ΠΏΠ»Π΅Ρ‚ΡƒΠ²Π°ΡšΠ΅, ΠΊΠΎΠ½Ρ‡Π΅ΡšΠ΅ ΠΈΠ»ΠΈ Π²ΡΡƒΠΊΡƒΠ²Π°ΡšΠ΅ Π½Π° повСќС ΠΏΡ€Π΅Π΄ΠΈΠ²Π°. Π‘ΠΎ Ρ€Π΅Π»Π°Ρ†ΠΈΡ˜Π°Ρ‚Π° сурова ΠΊΠΎΠΆΠ° – процСс Π½Π° ΠΏΡ€Π΅Ρ€Π°Π±ΠΎΡ‚ΠΊΠ° - Π³ΠΎΡ‚ΠΎΠ²Π° ΠΊΠΎΠΆΠ° ΠΈΠ»ΠΈ ΠΊΡ€Π·Π½ΠΎ ΠΌΠΎΠΆΠ΅ Π΄Π° Π΄Π° сС прСтстави процСсот Π½Π° добивањС Π½Π° Π³ΠΎΡ‚ΠΎΠ²Π° ΠΊΠΎΠΆΠ° ΠΈΠ»ΠΈ ΠΊΡ€Π·Π½ΠΎ ΠΊΠ°ΠΊΠΎ коТарско-крзнарски ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»ΠΈ. ΠŸΡ€ΠΎΡ†Π΅ΡΠΎΡ‚ Π½Π° ΠΏΡ€Π΅Ρ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° суровата ΠΊΠΎΠΆΠ° ΠΈ ΠΊΡ€Π·Π½ΠΎ сС состои ΠΎΠ΄ ΠΏΠΎΠ΄Π³ΠΎΡ‚Π²ΠΈΡ‚Π΅Π»Π½ΠΈ ΠΎΠΏΠ΅Ρ€Π°Ρ†ΠΈΠΈ, ΡˆΡ‚Π°Π²Π΅ΡšΠ΅ ΠΈ Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡ‚Π΅Π»Π½ΠΎ ΡˆΡ‚Π°Π²Π΅ΡšΠ΅ ΠΈ Π΄ΠΎΡ€Π°Π±ΠΎΡ‚ΠΊΠ°

    IstraΕΎivanje i razvoj termoizolacionog materijala od recikliranog otpada odevne industrije

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    Tekstilni otpad kao materijal za toplinsku izolaciju

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    Toplinsko-izolacijski materijali omoguΔ‡uju uΕ‘tedu toplinske energije. Na europskim trΕΎiΕ‘tima prevladavaju klasični izolacijski materijali (kamena vuna i polistiren), a nastojanja istraΕΎivača su usmjerena na poboljΕ‘anje njihove učinkovitosti i razvitak novih izolacijskih materijala i sustava. Njihova kvaliteta se ocjenjuje s obzirom na njihova fi zikalna svojstva, utjecaj na okoliΕ‘ I čovjeka, lakoΔ‡u montiranja i cijene. U ovom radu dizajniran je materijal za toplinsku izolaciju krovne konstrukcije i unutarnje gips-kartonske pregrade od otpada od krojenja, i ispitana je njegova toplinska vodljivost (W/mK). Rezultati pokazuju toplinsku vodljivost 0,05198 - 0,06032 (W/mK), koja se moΕΎe usporediti s vrijednostima standardnih izolacijskih materijala i s izolacijskim materijalima od tekstila, odnosno tekstila u vlaknastom stanju. Ključne riječi: otpad od krojenja, izolacijski materijali, toplinska vodljivost, toplinska izolacij

    The influence of the type of cutting layout on the utilization of the textile material for women's pants

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    Making clothes is a complex process that includes a number of technical and creative aspects. The first technological process in making clothes is cutting. In order to cut the clothes precisely and in the required sizes, it is necessary to make a pattern beforehand. In addition to the importance of the pattern, the production of cutting layouts that contain the parts of the appropriate pattern is also of great importance. Pattern making and the cutting process are critical stages in the textile and fashion industry. Organization and precision in these stages have a great impact on the quality of the final product, the costs, and the efficiency of the production process. Cutting layouts are technical drawings that show the parts of the pattern and how to join them. These markrs are used as a guide during the process of tailoring and making the garment. The production of cutting layouts should be carefully planned and mathematically calculated, so that the consumption of fabric will be minimized, but also the standards of quality and functionality of the clothes will be met. Patternmaking is the process of laying out parts of a garment on paper (in electronic screen fitting), the width of which is identical to the width of the fabric. The contours of the cut parts of clothing can be drawn on paper, forming a cutting layouts. The cutting layout is placed on top of the cutting stack or the information about the contours of the cutting parts and their position in the cutting layout can be memorized in a computer, and then with the help of a plotter the cutting layout can be drawn or transferred to a device for automatic cutting . Depending on the cutting method, it is not always necessary to transfer the cutting parts and their positions to a paper cutting layout, but still, it is necessary to make a plan of the cutting layout in which the cutting parts will be placed closer to each other, which will achieve minimum consumption. In this paper, the influence of the type of cutting layouts on the consumption of textile material is processed and illustrated. The experimental part shows a pattern of women's trousers worked with different cutting layouts for the same fabric width. In this case, specifically, a fit is shown, with fewer and more sizes contained in one cuttin layout, which would practically prove that the type of cutting layout largely affects the consumption of fabric from which the garment is made. Since the main fabric for making clothes is one of the most expensive stakeholders in the overall process, every centimeter of fabric saved is very significant for an industry that faces challenges of sustainability and efficient management of resources. Key words: pattern, clothes, fabric, textile, cutting layot.

    Apparel Industry in Macedonia, Conditions and Challenges

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    Around 395 registered companies in Macedonia work with apparel manufacturing. Even though they are spread across the whole country, the largest number of companies – 119 (or 30%) are located in the East region. This industrial activity employs 31,742 employees or 6.1% of Macedonia’s working population. Compared to 2012, a 4.8% decrease is noted. The cumulative manufacturing index for 2014/2015 is 107, and the manufacturing index for 2015 (compared to 2010) is 136. Textile production participates with 11.7% in the total export of the country, and with 6.9% in the import. The textile industry participates with 15.5% in the total gross domestic product, while in the industrial it participates with 21.8%. The textile industry participates in the total export with 26%, and employees 28% of the total number of employees in the industry. 93% of the apparel production is organized according to the CMT system for the foreign markets, mostly the European countries. The added value is low because 92-42% of the production is Lon, which brings small profits, even though the companies manufacture for quite famous worldwide brands. Statistic data shows there is a necessity for changing the manufacturing structure towards products with higher added value, i.e. products for internal use. For this, hiring larger domestic capacities and resources is required

    Sustainability of the textile waste stream in Macedonia,

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    In Macedonia, as a country with a developed apparel industry, a significant amount of pre-consumer textile waste is generated, more precisely apparel cutting waste. The aim of this paper is to make an accurate estimate of its quantity, as well as the characterization based on the raw material composition as a prerequisite for its further handling. Before any recycling initiative for textile waste, an analysis should be made of whether its quantity and quality can ensure the continuity of the recycling process. The analysis shows that the amount of apparel cutting waste is a fairly constant value (in the period from 2009 to 2014 an average of 3,377 tons of apparel cutting waste was generated annually). The waste from cotton and cotton blends is most common. Despite the constant annual amount of apparel cutting waste and numerous reasons for its recycling, almost all this waste ends in landfills

    Enzymes and wine – the enhanced quality and yield

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    Enzymes are a natural and fundamental element of the winemaking process. These enzymes originate from the grape, yeasts and other microbes associated with vineyards and wine cellars. Grape enzymes are however inactive under the pH and SO2 conditions associated with winemaking. Fungal pectinases are resistant to these winemaking conditions. The method used to produce wine enzymes for use in the EU is regulated by the Office International de la Vigne et du Vin (OIV). Nowadays, they are also a commercial product found in many wineries. The most widely used enzymes available for commercial use are: pectinases, hemicellulases, glycosidases and glucanases. From the pre-fermentation stage, through fermentation, post-fermentation and aging, enzymes catalyze various biotransformation reactions. In the past years, enzymes have been increasingly used for enhancing the quality of wines. They have the potential to make more extracted and more aromatic wines and to accelerate the winemaking process. This review summarizes the most important types of commercial enzymes applied to winemaking and their effects on the process technology and the quality of the final product

    Attitudes towards Wearing Facemasks as a Fashion Accessor

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    The global Covid 19 pandemic introduced a new item in everyday dress – the facemask. During 2020, fashion elements crept in the design of this primarily functional item. This research aims to understand the importance of fashion and aesthetical appearance in the choice of facemasks. An online questionnaire was distributed via different social media in France examining types of masks worn and the understanding of masks as a fashion accessory. The research indicates that surgical masks are worn most often, with price being the prevalent criterion for their choice. Masks are primarily seen as a personal protection equipment. However, in a small fashion-conscious subgroup of the population the appearance of face masks chosen primarily for their aesthetic appeal can be noticed. This is particularly applicable to textile masks, weather certified or homemade which are seen as part of sustainable fashion

    4 Π  (Π Π΅Π΄ΡƒΡ†ΠΈΡ€Π°Ρ˜, Π Π΅Ρ†ΠΈΠΊΠ»ΠΈΡ€Π°Ρ˜, Π Π΅ΡƒΠΏΠΎΡ‚Ρ€Π΅Π±ΠΈ ΠΈ ΠŸΡ€Π΅Π½Π°ΠΌΠ΅Π½ΠΈ)

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    4 Π -Π Π΅Π΄ΡƒΡ†ΠΈΡ€Π°Ρ˜, Ρ€Π΅Ρ†ΠΈΠΊΠ»ΠΈΡ€Π°Ρ˜, Ρ€Π΅ΡƒΠΏΠΎΡ‚Ρ€Π΅Π±ΠΈ ΠΈ ΠΏΡ€Π΅Π½Π°ΠΌΠ΅Π½ΠΈ, ΡΠΎΡ†ΠΈΡ˜Π°Π»Π½Π° ΠΈΠ½ΠΊΠ»ΡƒΠ·ΠΈΡ˜Π° ΠΏΡ€Π΅ΠΊΡƒ ΠΊΡ€ΡƒΠΆΠ½Π° Скономија ΠŸΠΎΠ΄Π΄Ρ€ΡˆΠΊΠ°: Π€ΠΎΠ½Π΄Π°Ρ†ΠΈΡ˜Π° ΠžΡ‚Π²ΠΎΡ€Π΅Π½ΠΎ ΠΎΠΏΡˆΡ‚Π΅ΡΡ‚Π²ΠΎ-МакСдонија Π¦Π΅Π»Π½Π° Π³Ρ€ΡƒΠΏΠ° Π½Π° ΠΏΡ€ΠΎΠ΅ΠΊΡ‚ΠΎΡ‚: тСкстилнитС ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠΈ ΠΎΠ΄ Ρ€Π΅Π³ΠΈΠΎΠ½ΠΎΡ‚, Ρ‚Ρ€Π³ΠΎΠ²Ρ†ΠΈ со тСкстилни суровини, ΠΏΡ€ΠΎΠ΄Π°Π²Π½ΠΈΡ†ΠΈ Π·Π° ΠΎΠ±Π»Π΅ΠΊΠ°; ΠΌΠ΅Π΄ΠΈΡƒΠΌΠΈΡ‚Π΅, Π·Π΄Ρ€ΡƒΠΆΠ΅Π½ΠΈΡ˜Π°Ρ‚Π° Π½Π° Π³Ρ€Π°Ρ“Π°Π½ΠΈ ΠΎΠ΄ Ρ€Π΅Π³ΠΈΠΎΠ½ΠΎΡ‚, Π΅Π΄ΠΈΠ½ΠΈΡ†ΠΈΡ‚Π΅ Π½Π° министСрство Π·Π° ΠΆΠΈΠ²ΠΎΡ‚Π½Π° срСдина, Π•Π›Π‘ ΠΎΠ΄ Ρ€Π΅Π³ΠΈΠΎΠ½ΠΎΡ‚, Π³Ρ€Π°Ρ“Π°Π½ΠΈ; Π»ΠΈΡ†Π°Ρ‚Π° Π²ΠΎ ΡΠΎΡ†ΠΈΡ˜Π°Π»Π΅Π½ Ρ€ΠΈΠ·ΠΈΠΊ ΠΈ Π»ΠΈΡ†Π°Ρ‚Π° со посСбни ΠΏΠΎΡ‚Ρ€Π΅Π±ΠΈ ΠΎΠ΄ ΠžΠΏΡˆΡ‚ΠΈΠ½Π° Π¨Ρ‚ΠΈΠΏ. ΠžΡ‡Π΅ΠΊΡƒΠ²Π°Π½ΠΈ Ρ€Π΅Π·ΡƒΠ»Ρ‚Π°Ρ‚ΠΈ: Π—Π³ΠΎΠ»Π΅ΠΌΠ΅Π½Π° свСст Π½Π° Π³Ρ€Π°Ρ“Π°Π½ΠΈΡ‚Π΅ Π·Π° Π·Π°Ρ‡ΡƒΠ²ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΆΠΈΠ²ΠΎΡ‚Π½Π°Ρ‚Π° срСдина Π²ΠΎ Π·Π°Π΅Π΄Π½ΠΈΡ†Π°Ρ‚Π° со ΠΏΡ€ΠΎΠΌΠ΅Π½Π° Π½Π° Π½Π°Π²ΠΈΠΊΠΈΡ‚Π΅ ΠΏΡ€ΠΈ Π΄Π΅ΠΏΠΎΠ½ΠΈΡ€Π°ΡšΠ΅ Π½Π° ΠΎΡ‚ΠΏΠ°Π΄; ΠŸΠΎΠ΄ΠΎΠ±Ρ€Π΅Π½Π° социо-Скономска ΡΠΎΡΡ‚ΠΎΡ˜Π±Π° ΠΈ Π½Π°ΠΌΠ°Π»Π΅Π½Π° ΡΠΈΡ€ΠΎΠΌΠ°ΡˆΡ‚ΠΈΡ˜Π° кај ΡΠΎΡ†ΠΈΡ˜Π°Π»Π½ΠΎ Ρ€Π°Π½Π»ΠΈΠ²ΠΈΡ‚Π΅ ΠΊΠ°Ρ‚Π΅Π³ΠΎΡ€ΠΈΠΈ Π½Π° Π³Ρ€Π°Ρ“Π°Π½ΠΈ, со Π΄ΠΈΡ€Π΅ΠΊΡ‚Π½ΠΎ Π²ΠΊΠ»ΡƒΡ‡ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΏΠ°Π·Π°Ρ€ΠΎΡ‚ Π½Π° Ρ‚Ρ€ΡƒΠ΄ΠΎΡ‚ ΠΏΡ€Π΅ΠΊΡƒ стСкнати Π²Π΅ΡˆΡ‚ΠΈΠ½ΠΈ Π·Π° ΠΏΡ€Π΅Ρ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° тСкстил; Π—Π½Π°Ρ‡ΠΈΡ‚Π΅Π»Π½ΠΎ Π½Π°ΠΌΠ°Π»Π΅Π½ΠΎ количСство Π½Π° ΠΎΡ‚ΠΏΠ°Π΄ Π½Π° годишно Π½ΠΈΠ²ΠΎ Π²ΠΎ Π΄Π΅ΠΏΠΎΠ½ΠΈΠΈΡ‚Π΅; ΠŸΠΎΠ΄Π³ΠΎΡ‚Π²Π΅Π½ΠΎΡΡ‚ Π·Π° ΠΈΠΌΠΏΠ»Π΅ΠΌΠ΅Π½Ρ‚Π°Ρ†ΠΈΡ˜Π° Π½Π° законскитС Ρ€Π΅ΡˆΠ΅Π½ΠΈΡ˜Π°, ΠΈΠ½Ρ„ΠΎΡ€ΠΌΠΈΡ€Π°Π½Π° ΠΈ ΡƒΠΏΠ°Ρ‚Π΅Π½Π° Ρ˜Π°Π²Π½ΠΎΡΡ‚ Π·Π° обврскитС ΠΈ ΠΏΡ€ΠΈΠ΄ΠΎΠ±ΠΈΠ²ΠΊΠΈΡ‚Π΅ ΠΎΠ΄ Π—Π°ΠΊΠΎΠ½ΠΎΡ‚ Π·Π° ΡƒΠΏΡ€Π°Π²ΡƒΠ²Π°ΡšΠ΅ со Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡ‚Π΅Π»Π½ΠΈ Ρ‚Π΅ΠΊΠΎΠ²ΠΈ Π½Π° ΠΎΡ‚ΠΏΠ°Π΄; Π—Π³ΠΎΠ»Π΅ΠΌΠ΅Π½Π° ΠΈΠ½ΠΈΡ†ΠΈΡ˜Π°Ρ‚ΠΈΠ²Π° Π·Π° Ρ€Π°Π·Π²ΠΎΡ˜ Π½Π° Π½ΠΎΠ²ΠΈ ΠΌΠ°Π»ΠΈ ΠΈ срСдни бизниси, со стСкнати знаСња ΠΎΠ΄ овој ΠΏΡ€ΠΎΠ΅ΠΊΡ‚; Π•Π΄ΡƒΡ†ΠΈΡ€Π°Π½ΠΈ ΠΌΠ»Π°Π΄ΠΈ – Π·Π΄Ρ€Π°Π²Π° Сколошка срСдина, дСнСс ΠΈ Π²ΠΎ ΠΈΠ΄Π½ΠΈΠ½
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